Liveblogging! Commentary for “ITDE” 11/24/07

Update: This broadcast is now available for download. As always, I ask that you do not use this as a substitute for the actual recordings– instead, I encourage you to seek out the artists and labels linked throughout this commentary and playlist. Thanks for listening! –DaveX

I started today’s broadcast about 15 minutes early. With three hours of sleep, I’m actually feeling better than you’d think– of course, I did little yesterday except eat leftover tofurky and watch “The Office”…

I kicked everything off with Hong Chulki’s “Turntable” double 3″ set from Seoul-based label Balloon & Needle. I played from the “no cartridge” disc last week, so I aired the “with cartridge” disc this time around. I have a tremendous soft spot for experimental turntable work, and Chulki’s generous and straightforward recordings certainly fit the bill. Currently, I’m playing from “Hum and Rattle,” featuring more of Chulki’s turntable, as well as Choi Joonyong’s work with manipulated CD player.

Like Otomo Yoshihide‘s turntable recordings, these are both noisy without being “noise” recordings, and are seemingly quite interested in many of the smaller sounds able to be generated with such sources as well as the more obvious louder ones. As a side note, I’m also really impressed with the design of both releases– “Turntable” features a subtle set of triangles to help listeners match the otherwise-featureless discs to their respective sides; “Hum and Rattle” is displayed nicely in a bit of folding cardstock that cleverly grasps the disc on both sides.

How’s this for a cool release? Uton and Valerio Cosi! I’m playing from their Fire Museum Records release “Kaarmeenkaantopiiri,” which I have no hope of pronouncing correctly on-air. This disc isn’t nearly as mysterious as previous Uton recordings I have encountered, with a much stronger musical bond between the two musicians than I would have guessed. This ends up sounding quite a bit like a more dramatically-layered My Cat is an Alien, very cool!

Moving to the Last Visible Dog release “Hum Hum Hum” from Vapaa… the track “Varjoista,” so we’ll have some time to get into Keijo Virtanen and company’s mindset– not always the easiest thing to do on radio.

It’s been a while since I last played an Ernesto Diaz-Infante/Chris Forsyth collaboratition– “Wires and Wooden Boxes” is actually among the first I heard from either artist, so I’m happy to be able to play from this one, “(As Is Stated… Before Known)” on Pax Recordings and Evolving Ear. I’m planning to do some new reviews this coming week, so look for some more information about this disc in upcoming blog entries.

Also new this week from Pax is another album from The Abstractions! Truthfully, this is a split-label effort, with help from Edgetone Records as well… so it’s a real pastiche of Bay-area improvisers and sound artists– Ernesto Diaz-Infante, Rent Romus, Bob Marsh, Marjorie Sturm, Matt Davignon… you see where I’m going with this!

There’s a lot of left-wing political lyrics here, which sort of turns me off– not that I don’t agree that Bush is a complete moron, I just don’t like mixing politics and music… it’s like putting dirt in a grilled cheese or something. On the other hand, for those of you who don’t mind a bit more fearsome gnashing at the bit of straight society, (and dig strange flavorings of music) The Abstractions’ “Novo Navigatio” might be just the thing for you.

I ended up playing a lot more of Frank Rothkamm’s “LAX” disc than I thought I would have– this is a real infectious release, and I’ll definitely have more of it for you next week. Don’t be surprised if some Rothkamm makes its way into my “It’s Too Damn Startling!” contribution to tonight’s broadcast of WRVU-FM’s “~Ore Theatre Intangible”

“Hey! You got Rothkamm in my podcast!” Sorry, I had to do it.

I also played a long selection from Gianluca Becuzzi and Fabio Orsi’s “Wildflowers Under the Sofa,” which is available through Last Visible Dog Records. This is a really enjoyable disc– a great blend of the drone and avant-garde elements LVD is known for.

Hong Chulki — With Cartridge 1
Hong Chulki — With Cartridge 2
Hong Chulki, Choi Joonyong — hr
Hong Chulki, Choi Joonyong — ua
Uton, Valerio Cosi — Silmaympyrakolmio
Vapaa — Varjoista
Ernesto Diaz-Infante, Chris Forsyth — The Sun is Shining
Ernesto Diaz-Infante, Chris Forsyth — How Little Observed… Half a Mile Distant
Ernesto Diaz-Infante, Chris Forsyth — Tomorrow
Ernesto Diaz-Infante, Chris Forsyth — Some Years Since (The Moon, Supposing It To Be Uninhabited)
The Abstractions — Lament the Fallen
The Abstractions — Take Off Leave Now Never Come Back
The Abstractions — Christian Bush
The Abstractions — Take Yourself Seriously
Frank Rothkamm — Temporarily Unavailable OR Descent into LAX
Frank Rothkamm — Los Angeles OR LATV
Frank Rothkamm — Beehive OR Focal Point of Masonic Meditation
Frank Rothkamm — Digital Signal Processor OR Earthquake
Frank Rothkamm — Still Random OR Burial of Music
Frank Rothkamm — Digital Feedback OR Highland
Gianluca Becuzzi, Fabio Orsi — No Flower
Gianluca Becuzzi, Fabio Orsi — Last Flower

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